blue color in renaissance art

The Renaissance color palette also featured realgar and among the blues azurite, ultramarine and indigo. The Virgin Mary is most commonly depicted wearing blue as a mark of respect and to make her stand out. Colors were seen as a part of symbolic expression, they were not supposed so much to imitate nature, as it happened later, during the Renaissance, but the goal of using colors was to express an ideal reality. Renaissance art was all about the representation of an individual view of a man. Closer to Renaissance the elevation of yellow to color of light started to diminish, when art started to be more realistic, the golden backgrounds fell out of fashion. Websites he accessed included the BBC, Google Art Project, Wikiart, Wikimedia Commons. During the Renaissance period art was used as a religious tool to help people who could not read and write to understand the bible. He painted many monochromatic paintings of beggars, prostitutes and drunks, reflecting his depression following the suicide of his friend Carlos Casagemas. The color blue was little used in the classical Roman world, perhaps because the hue was identified with the attire and body painting of barbarian races. Painters had to grind up the semi-precious stone lapis lazuli in order to make ultramarine, the deep blue pigment that is the hallmark of many Renaissance paintings. Jumping ahead in time, a blue pigment known as 'ultramarine' (meaning 'beyond the sea') became incredibly popular during the Italian Renaissance. This was an expansive era for art and artists. It is important to note the color symbolism, Mary is clad in a faded blue, as the light blue is the color commonly associated with her. The colour has given its name to a number of movements: the Bluestockings women who campaigned for female education rights were given the name due to the colour of their informal blue hosiery; blues music got its name from its trademark sad and melancholic themes. textbook on Renaissance art (Miller 2016) refers to and clarifies many things, but any explanation of possible symbolic values for colour is conspicuously absent. The semi-precious stone lapis lazuli was ground into an iridescent pigment, … Hundreds of years ago in Europe, in a time known as the Renaissance, artists chose from paints made from minerals, such as azurite and malachite, and plants, such as saffron and Brazil wood. A PhD student studying psychology at the Karolinska Institutet in Sweden has found that the world of art is getting bluer. It was used to brand those who were considered socially less acceptable: prostitutes, Jews, heretics. Indigo and wode were made by soaking plant leaves. News of the Gallery and its member artists and events at the gallery will all be talked about here. Working class people were able to don this ‘luxurious’ colour, but artists still struggled to find a cheaper alternative to ultramarine to use in their paintings. During the Renaissance, the color blue was associated with purity, and ultramarine was used to striking effect in paintings of the Virgin Mary, where she was almost invariably depicted wearing ultramarine blue garments. His timespan was between the eighteenth and twentieth century. The high price of the pigment, sourced in Afghanistan, also meant that its use was appropriate in the case of a noble subject such as the mother of Christ. The period of the Renaissance saw some glorious works of many legendary artists, which are still revered today. The use of color was used as well to give a certain mean… ... deep red as an underlayer to further warm and enrich the hue of the ultramarine blue of the cloak. 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